In Hoffman’s domestic or sex life there is no undiscovered riddle – the man was a drug addict and, thanks to our drug laws, his death inevitable
Philip Seymour Hoffman’s death was not on the bill.
If it’d been the sacrifice of Miley Cyrus or Justin Bieber, that we are invited to anticipate daily, we could delight in the Faustian justice of the righteous dispatch of a fast-living, sequin-spattered denizen of eMpTyV. We are tacitly instructed to await their demise with necrophilic sanctimony. When the end comes, they screech on Fox and TMZ, it will be deserved. The Mail provokes indignation, luridly baiting us with the sidebar that scrolls from the headline down to hell.
I’ve had an incredible week since I spoke from the heart, some would say via my arse, on Paxman. I’ve had slaps on the back, fist bumps, cheers and hugs while out and about, cock-eyed offers of political power from well intentioned chancers and some good ol’ fashioned character assassinations in the papers.
From: Russell Brand
To: Daniel Pinchbeck
Never have you written more succinctly and irrefutably on this most nebulous and complex of topics. Excellent! Other than your dismissal of the term “Revolution”, which is the magazine’s theme and, I think, a necessary galvanising signifier for the previous generation and the more truculent members of the working class. How like you to be insurgent in a magazine about insurgence.
To: Gary Lineker
Gary! This is f***ing brilliant. Great vocab, cool swearing, great structure. Keeping possession in an unflustered, enveloping rhythm before scoring – a lovely gag nicked in the six-yard box, right at the death. If only the national side could do that.
The stuff about your personal experience as a young player and your dad’s disappointment at a discipline issue is cool and surprising but makes sense of the “Lineker myth” – I mean story, not myth as in untrue – of you as disciplined and gentlemanly.
When I was asked to edit an issue of the New Statesman I said yes because it was a beautiful woman asking me. I chose the subject of revolution because the New Statesman is a political magazine and imagining the overthrow of the current political system is the only way I can be enthused about politics.